The study of Music Production gives you the opportunity to investigate the creative, technical and theoretical exploration of one of the most mysterious art forms. All while being exposed to aspects of the music business and industry, as well as its many historical and theoretical concepts.
Drawing on the diverse musical heritage of Liverpool, students of Music at Liverpool Hope explore the production of musical performance and composition of music across a broad range of topics and genres, such as popular, classical, jazz and electronic. Your studies will focus on music production and will be underpinned by technical, theoretical and historical areas of enquiry, led by staff with a broad range of teaching, professional and research specialisms.
Music Production is part of our School of Creative & Performing Arts, based in the purpose-built Capstone Building at our Creative Campus. The Capstone is home to a collection of musical instruments that cater for all genres, including a Steinway Model D and a chamber organ. We also have a suite of sound-proofed practice rooms equipped with Steinway pianos, and four electronic studios.
Teaching on this degree is structured into lectures, seminars and tutorials. You have the opportunity to have a one-to-one meeting with your tutor on a regular basis.
If you are studying Music as a Single Honours degree, in your first year of study there are approximately 12 teaching hours each week, which reduces to 10 teaching hours in your second and third years. If you are studying Music as a Combined Honours degree, in your first year of study there are approximately 6 teaching hours each week, which reduces to approximately 5 teaching hours in your second and third years.
Assessments on this course will consist of:
The Music Production curriculum commences from covering the fundamentals of studio and live music production and MIDI programming from a technical and creative point of view. From this base it moves through to the handling of advanced concepts in studio composition, production, live sound production as well as interactive applications in music.
In your first year, you will be introduced to the principles of Music Production and your studies will be directed into three broad areas; Foundations of Audio Recording; Foundations of Sound Reinforcement; and the Foundations of MIDI Programming and Automation. You will be taught holistically as you explore themes including; the physics of sound, audio signal, audio mixing, audio editing, digital signal processing and introducing automation.
You will attend the Foundations in Music Production lecture series, which will explore questions such as; understanding of microphone type and placement, principles of audio editing, mixing, post-production techniques and the preparation required to manage a live show. These lectures will be linked to two themed seminar series: The Foundations of Audio Recording Seminar allows for focussed study of practical mic placement and recording of a variety of instruments (solo and group); these seminars will also include the theory relating to audio signal flow. The Foundations of MIDI Programming and Automation Seminar will allow for the focused practical study upon the automated mixing of audio stems within a variety of genres and settings; these seminars will also include the theory relating to audio perception.
All first year students will attend a series of compulsory concerts and events throughout their first academic year. The concerts included in this series are intended to illustrate the musical genres studied in other areas of the course, and to add additional enhancement
You will further develop your skills, understanding and appreciation of more advanced techniques of both studio and live sound production, and MIDI programming, automation and interactive applications in music.
You will attend the Explorations in Music Production lecture series where these areas will be taught in an integrated way through shared themes such as: stylistic sound production techniques; digital signal processing techniques; automation; music interactivity; digital sound theory; sound synthesis; surround sound techniques; introduction to audio/visual (theory and practice); and introduction to generative music. This lecture series will be linked to two themed seminar series: Explorations in Studio and Live Production Seminar and Explorations in Interactive Music Programming Seminar.
In addition, you will attend a series of compulsory concerts and events. The concerts included in this series are intended to illustrate the musical genres studied in other areas of the course, and to add additional enhancement. For example, during the academic year 2018-19, students attended concerts given by Milapfest, Sonic Interactions, and Angel Field Festival.
Students will attend the Advanced Studies of Music Production lecture series and explore themes such as: advanced practice and theories of: stylistic sound; sound and perception theory; sound synthesis; mixed-media, interactive and immersive music and sound; surround-sound techniques; and generative composition.
In your third year, you will be encouraged to further hone your skills, understanding and appreciation of advanced studio and live sound and digital music.
The third year lecture series will be linked to two themed seminar series: Advanced Studio and Live Production Seminar and Advanced Digital Music Seminar. Each student will also attend a weekly tutorial with their allocated personal tutor, and be required to participate in the recording of our music concerts.
During the August/September admissions period we are able to offer some flexibility in our entry requirements for courses that still have vacancies.
We are also offering a Foundation Year on many of our courses for students who have the ability and enthusiasm to study for a degree, but do not yet have the qualification level to enter directly onto our degree programmes.
Please call us to discuss the options available to you: 0151 291 3636
Potential career prospects after completing this course include Recording engineer, Recording Producer, Sound Designer, Sound Programming, Live Sound Engineer.
Work placement opportunities include music studios and festivals, gaming companies, etc.
The Service and Leadership Award (SALA) is offered as an extra-curricular programme involving service-based experiences, development of leadership potential and equipping you for a career in a rapidly changing world. It enhances your degree, it is something which is complimentary but different and which has a distinct ‘value-added’ component. Find out more on our Service and Leadership Award page.
As part of your degree, you can choose to spend either a semester or a full year of study at one of our partner universities as part of our Study Abroad programme. Find out more on our Study Abroad page.
The tuition fees for the 2020/21 academic year are £9,250 for full-time undergraduate courses.
If you are a student from the Isle of Man or the Channel Islands, your tuition fees will also be £9,250.
The University reserves the right to increase Home and EU Undergraduate and PGCE tuition fees in line with any inflationary or other increase authorised by the Secretary of State for future years of study.
On top of your tuition fees, you will need approximately £100 per year for recording consumables.
You will also need to consider the cost of your accommodation each year whilst you study at university. Visit our accommodation pages for further details about our Halls of Residence.
We have a range of scholarships to help with the cost of your studies. Visit our scholarships page to find out more.
The International tuition fees for the 2020/21 academic year are £11,400 (provisional) per year for full-time undergraduate courses.
Visit our International fees page for more information.
This course is also available as a Combined Honours degree with the following subjects:
|Music Production and Business Management|
|Music Production and Computer Science|
|Music Production and Creative Writing|
|Music Production and Drama|
|Music Production and Early Childhood|
|Music Production and English Language|
|Music Production and Film & Visual Culture|
|Music Production and Information Technology|
|Music Production and International Relations|
|Music Production and Media & Communication|
|Music Production and Music|
|Music Production and Musical Theatre|
|Music Production and Philosophy & Ethics|
|Music Production and Politics|
|Music Production and Psychology|
|Music Production and Social Policy|
|Music Production and Sociology|